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Well I'm already pretty hermetic to jazz, so screeching farting sax and nonsensical structures are a no go. I (really? It's been a long time) like At the Mountains of Madness from Electric Masada but I don't really want to try anything else from Zorn again.

>>895

How would you call something like Eletric Masada then? I say jazz because it's the musical framework used in Zorn works as far as I know.

>>895
It is. IMO it's like with art. If somebody can draw in standard way, but chooses to draw in a cubist style, then that's fine.
And Zorn really can play, he's not like this all avangarde faggots.

>>897
I was with you until you implied 'avant-garde faggots' can't play, they can; Zorn is just such an eclectic and varied musician that he shows off both his extremely severe avant-garde playing and his conventional musicianship. People like Evan Parker and Yoko Ono are talented, but creating conventional, immediately pleasurable music don't interest them at all.

>>898
I meant people who can not play at all. For example Merzbow can play in conventional way but he doesn't want to. But there are some people who can not play in conventional way so they label their "music" as an avantgarde.