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Dude, the Envy entry, was so goddamn sad. 'This again'. God, so goddamn sad. It really took me for surprise. DON'T READ OR IT WILL RUIN EVERYTHING -> Plus, what that Uboa's voice?
For the rest, seems like a nice album. I still didn't end hearing it, so wait a sec and I'll tell you what I think of it.

Mm, interesting job, my friend. I liked it; is nice and has interesting atmosphere. Plus that envy entry kinda made me cry, leaving a emotional charge there.

I can tell you that isn't bad for a debut album.

Some clumsy moves here and there (mostly in the sounds you use, they sometime feel pretty "generic". And the ending track, sorry, no) but overall it's bretty good for a debut album. Though I don't understand why so far all of you tend to strictly stick to a "instrumental hip-hop" composition scheme. I'm sure some really good electronic/ambient/techno/collage stuff could be made with a "yumenikkiesque" mood

>>591

Thank you, that's very sweet of you. Although I DID refer to this project as a debut album, I really meant a debut production LP. I've done 2 production EP's before that under the name CLXCKWXRK. I'm overjoyed that you've enjoyed the tape.

>>593

You're probably right; although, to be honest, I didn't intentionally pursue a Yume Nikki vibe on this record at all by any means; I did that on Untitled 2 and was kind of done with it afterwards. I guess Yume Nikki'esque themes keep reappearing in my CXWX stuff because I really love that game, haha. As for the instrumental hip-hop scheme, I'm assuming you're referring to me composing 4 by 4 music? I definitely see your point, I was just sort of going for that whole clockwork type of repetitive progression flow or whatever, you know?
Also, by the ending track, are you referring to nyanwxrk? It's a shame that you didn't find it to your lking, as I really enjoyed making it. I find that people underestimate the complexity of the original nyancat piece, and so I had decided to compose my own personal arrangement. I started off with an 8bit direction and built towards a swift orchestral switch-up; the outro was supposed to represent a GAME OVER screen I suppose… I don't know, that's what I was aiming for at least.
Oh and one MORE thing [sorry for such an essay-like response -.-'], but could you be a bit more specific in regards to me using "generic" feeling sounds?


Thank you both for taking the time to listen and for giving me feedback, I really appreciate it.

>but could you be a bit more specific in regards to me using "generic" feeling sounds?

Some sonority sound a little too much "out of factory". You know, like unmodified patch/sound straight from Fruity Loops/Reason, or something you heard a dozen of times elsewhere. I thought about 199111X1, HARMXNITRAP and TXCK for this point

>Also, by the ending track, are you referring to nyanwxrk
Yep. It's not that is poorly composed or something like that, I just dislike to see "memetic" shits outside of the web.

But don't sweat it, I just listened it for the third time without displeasure, so I guess it's not important enough to really care.

>>595

I'm really thankful that you took the time to listen to my music and critique it the way that you did, good looking out. Perhaps my work in the future will be more to your liking. Thanks again!

i dig it!